From DesignInquiry’s website:

“Currency is often taken simply to mean money, but if currency also suggests relevance, presence, value and systems of exchange, what exactly has currency in an era in which value systems seem to be shifting? When a state of fluidity characterizes everything, how is value built and enhanced, and what kind of currency is worthy of our investment?

DesignInquiry invites makers and thinkers of all disciplines to contribute projects to its 2019 topic: Currency. Our source is the wellspring of value and communication systems that counter — or supplement — the precarious conditions of the present. The emergence of “alternative currencies,” from handshakes to skills-shares, and of systemic proposals ranging from postal banking to universal basic income schemes to crypto-currencies may represent efforts to stabilize exchange amid the collapse of mercantile systems, (see the recent e-flux journal “What’s Love Got to do with it?”) Think memory banks (Keith Hart), precarity pilots (Brave New Alps), network power (David Singh Grewal) and Errol Flynn swashbuckling backwards up the stairs.

This topic is a kind of creative stock-piling, celebrating creative practices of generosity and care to create a fertile laboratory of ideas, a skunkworks of invention to slowly release into the future. If money shares an etymological link with memory, muse and museum (a place for depositing memories) and currency shares a link with current, then what will be memorable and current tomorrow? Trophies on the wall or things in circulation? Solo achievement or collective inquiry? The love you make or the love you take?”

In response to these prompts, my collaborator Vince and I created a new currency, a series of small colorful clay objects. As we repetitively manufactured them over coffee and conversation, we imbued each shape with its own value: hopes, needs, dreams, tears, fears, weights, and ideas. What would our world look like if we bartered for these items instead of monetary gain?

Outcomes from the three day residency remained on display in the Maine College of Art and Design gallery through November 2019.